When I bid farewell to the poor life
put me in a coffin made of stone
place me in my grave
do not cover my grave
remind yourself that
there lies my father
and now the great king is dead, and I too
shall one day die like him
It is human fate, and it makes no difference
whether you are a king
or a poor wood-gatherer
no one remains eternally
no one remains eternally
no one remains eternally
[Clean Vocal]
When I bid farewell to the poor life
put me in a coffin made of stone
place me in my grave
do not cover my grave
remind yourself that
there is lies my father
Never forget there is a Philosophy
justice forgiveness and generosity
now leave me alone, as I feel the hour of my
death is near
Leave me alone...
supported by 54 fans who also own “Testament of the King”
What an impressive piece of black metal. This one-man hurricane is pure art. Sgah‘gahsowáh creates an haunting atmosphere. He puts so much soul in his music. Sælzer Bub
supported by 51 fans who also own “Testament of the King”
never been a big death metal fan but this is actually super accessible for the genre, has fun concepts, and personally i'm always a fan of albums with short tracklists and huge runtimes (for individual songs) Great time, good jumping on point for newbies too. alienasu
supported by 50 fans who also own “Testament of the King”
La traversée du désert n'aura pas duré quarante jours mais quatre longues années...
Avec Панихида, Батюшка renaît enfin de ses cendres et, bien que désormais seul (ou plus exactement entouré de deux chanteurs), Христофор accomplit un miracle. Il s'inscrit dans la continuité de Литоургиiа avec un black metal orthodoxe qui nous convie ici à une cérémonie dédiée aux morts. Sa vision est englobante : les mélodies, la gravité et le silence font toucher le paradis ; l'agressivité est luciférienne. Jordan Vauvert